KALETA DOOLIN
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Education
 
MFA, Sculpture, Southern Methodist University, Dallas, Texas, 1987
BFA, Major: Fine Arts and Minor: Art History, University of Texas at Austin, Southern Methodist University, Dallas, Texas, 1983
 
Work Experience
 
1988 – Present:
Kaleta Doolin is a feminist artist whose work includes studio and social practice. Interdisciplinary and multi-faceted, she utilizes a wide range of materials and media, from steel and scrap metal to bronze and aluminum casting, textiles, found objects, video, video art installation, photography, plastic resin and Plexiglas sheets, book art, and collage.
 
“In Dallas she is a major part of an intergenerational pattern of feminist artmaking, collecting and scholarship embraced by many institutions and far from being competitive, she relishes her ability to raise the level of what might in earlier generations have been called a sisterhood of changemakers."
— Rick Brettell, The Dallas Morning News, July 26, 2020
 
1991 – 2001: 
Founder and President, Art Happens! 
Worked with local, national and internationally known artists and arts organizations to present exhibitions and public programs at the 5501 Columbia Arts Center
 
2002 – 2021:
Founder and President, The Kaleta A. Doolin Foundation
The Kaleta A. Doolin Foundation (KADF), a feminist non-profit organization, is dedicated to being a resource and strategic partner for social and environmental justice by protecting and advocating for women and girls in order to advance diversity, equity, and inclusion in the arts and sciences.
 
1976 – 1980:
Sculpture Assistant to Laura Thorne, Aspen, Colorado
 
Professional Activities
 
2020 – Present: New Museum, New York, Artemis Council Forum
 
2020 – Present: Dia Women, Dia Art Foundation, New York
 
2020 – Present: Our Friends Place Advisory Council, Dallas
 
2015 – Present: Museum of Modern Art, New York, Modern Women’s Fund Committee 
 
2015: Southern Methodist University, International Committee of Honor
 
2013: The Stewpot, Gun Buyback volunteer, Dallas
 
2011 – 2017: ArtReach Board of Directors, Dallas
 
2003: Founder and Director, Art Happens! Scholarship Fund 
 
2003: Judge, Women in Film, Young Filmmakers Scholarship
 
2003: Panelist/Evaluator, City of Dallas Office of Cultural Affairs, DART Competition, Dallas, Texas
 
2002 – 2003: Secretary, Zonta Club of Dallas 1, Chair, Amelia Earhart Luncheon
 
2000 – 2003: Project Director, Strategies to Eradicate Violence Against Women, Zonta International, Funded by Zisvaw Grant, Founder and Volunteer Coordinator, Bullyproof Program, Dallas Schools
 
2000: Technical Assistance, “Container of the Soul,” sculpture and installation by Laura Jean Lacy, commissioned for the exhibition “Facing the Rising Sun: Freedman’s Cemetery,” African American Museum, Dallas, Texas
 
1999: Artist in Residence, Program with SMU Sculpture Installation Class
 
1999: In-service Training Coordinator, Community Artists Collective
 
1998: Member, MAC Artist Advisory Committee, McKinney Avenue Contemporary, Dallas, Texas
 
1998: Proposal Evaluator, Museum Panel, Office of Cultural Affairs, Dallas, Texas
 
1997 – 1998: Advisory and Building Committee Member, Meadows Museum of Art, Southern Methodist University, Dallas, Texas
 
1997: Juror, ArtFest, Dallas, Texas
 
1995 – 1999: Board of Directors, Meadows School of the Arts, Southern Methodist University, Dallas
 
1995: Co-Founder, Texas African American Photography Archive
 
1994 – 1998: Member, Public Art Committee, City of Dallas Office of Cultural Affairs, Dallas, Texas
 
1994: Texas Composers’ Forum, Board of Directors
 
1992: Advisory Board, Hughes-Trigg Gallery, Southern Methodist University, Dallas, Texas
 
1991: Founder and President, Contemporary Culture, Inc.
 
1991: Co-Founder, 5501 Columbia Arts Center
 
1991: Curator, Hockaday Alumnae Association
 
1991: June: Installation Coordinator, “Issac’s Ark: The Woodcarvings of Issac Smith,” Trammel Crow Pavilion, Dallas, Texas
 
1991: April: Coordinator, “Alternatives for the Future: A Conference on New Directions in Contemporary Art, Exhibition and Criticism,” Dallas Museum of Art
 
1986: Coordinator, Texas Sculpture Symposium, Dallas Arts District
 
1982-87: Member, Board of Directors, Texas Sculpture Association
 
Teaching Experience
 
2003: Project Director, Art in the Community Teacher In-Service Training, Mi Esquelita Education Center and African American Museum, Dallas, Texas
 
2003: Visiting Artist and Teacher, Book Arts Class, Texas Tech University, Lubbock, Texas
 
2002: Volunteer Teaching and Visiting Artist in Video Art and Drama Program, G. B. Dealey Montessori Academy
 
2002: Volunteer Coordinator, Bullyproof Program at G. B. Dealey Montessori Academy, Grade 4th-6th
 
1999: “The Frame Project,” Art in the Neighborhood, with Viola Delgado, Kaleta Doolin, John Hernandez, Jenny Huang, Leticia Huerta, Albert Shaw, and Beata Szechy, 5420 Columbia Arts Education Bldg., Dallas, Texas
​
1998: “The Frame Project,” Art in the Neighborhood, with Viola Delgado, Kaleta Doolin, John Hernandez, Jenny Huang, Leticia Huerta, Carl Lewis, Albert Shaw, and Beata Szechy, 5501 Columbia Art Center, Dallas, Texas
 
1997: “The Frame Project,” Art in the Neighborhood, with Viola Delgado, Kaleta Doolin, John Hernandez, Beata Szechy, Jenny Huang, Carl Lewis, and Albert Shaw, 5501 Columbia Art Center, Dallas, Texas
 
1992: Director and Participating Artist, Art in the Neighborhood Program

Publications

Books
 
Crazier than Crazy Quilts: Metal and Other Quilts, Schiffer Publishing, forthcoming
 
2011: Fritos Pie: Stories, Recipes, and More by Kaleta Doolin, Foreword by Davia Nelson, Texas A&M University Press, College Station, Texas
 
2003: Art in the Community: The Frame Project by Kaleta Doolin, Larry Estes, and Paddy Bowman, published for educational distribution by Contemporary Culture, Inc., Dallas, Texas
 
Artist Books
 
2018: Improved Janson, A Woman on Every Page
Unique book with a DVD (4:00 Loop), Making of the book
 
2017: Improved Janson, A Woman on Every Page
Unique book with a DVD (4:00 Loop), Making of the book
 
2012: Improved Janson, A Woman on Every Page
 
2003: Dirty Dozen, Unique book
 
2002: Tie Press Book, Unique book
 
2001: Ana of Anna Mae Conley, Edition of 6
 
1999: Love & Death, Edition of 4, by Kaleta Doolin and Leticia Huerta 
 
1996: Dear Parents, Bad News, Edition of 2
 
1995: Pen Pals, Edition of 6
 
Video Art and Installation
 
April 4, 2023: "Kaleta Doolin short film screening"
Owens Arts Center, SMU Meadows School of the Arts in collaboration with Erin Cluley Gallery
“Alexander the Infant,” Director
“Alexander Wiggletooth,” Director
“Backyard Ballet,” Director
“Bird Brains,” Director
“Coiffure Voyeur,” Director
“Listening Africa,” Director

2020: “Bird Brains,” (1:42) Director
Dallas Contemporary, Dallas, Texas
Topaz Film Festival, virtual festival
 
2013: “Science Girl,” (28:00), Producer
 
2007: “King of the Mountain” – Director, Video Loop for Two-Screen Installation 
Center for Contemporary Arts, Abilene, Texas
 
2005: “Thoughts: Dreams, A Video Installation,” Curated by Phillip Collins
“Run Alex Run,” Director
“Listening Africa,” Director
“1953 Found Footage,” Director 
 
2004: “Backyard Ballet” (14:55)
Dallas Video Festival – McKinney Avenue Contemporary (The MAC), Dallas, Texas
 
“Doolin’s Backyard Ballet is the most deceptively intelligent piece in the show … like Russian montage experiments in the 1920s, Doolin elicits different emotional responses from an image.” — Bret McCabe, Dallas Observer, April 5-11, 2001
 
1998: “1953 Found Footage” (10:53)
Dallas Video Festival
Dallas Theater Center
 
1995: “Alexander Wiggletooth” (5:55)
Dallas Video Festival
The Texas Show – Dallas Museum of Art
South by Southwest Film Festival – Austin, Texas
Snakebite Festival – St. Mary’s University, San Antonio, Texas
 
1992: “Coiffure Voyeur” (4:40)
Dallas Video Festival
Dallas Chapter of Women in Film
Chick Flicks – Audience Award Winner
Magnolia Theater, Dallas
 
1990: “Alexander the Infant” (5:37)
Dallas Video Festival
Dallas Museum of Art
 
Other videos:
 
“Stopping Motion: Understanding the Art of James Surls” (10:27)
Aspen Art Museum, Aspen, Colorado
Meadows Museum, Southern Methodist University, Dallas, Texas
 
“Art in the Community: Willie Birch” (5:00)
Adaptation of The Frame Project, featuring Willie Birch teaching self-portraiture
 
Selected Commissions
 
2000: “Container of the Soul,” Collaboration with Laura Jean Lacy, for the exhibition “Facing the Rising Sun: Freedman’s Cemetery,” African American Museum, Dallas
 
1999: “The Spirit of Invention,” installation at Frito-Lay, Inc.
 
1996: Leon Rabin Award, Presented Annually by the Dallas Theater League
Edition: 15 cast bronze draped pyramids
 
Honors and Awards
 
2003: “Alexander Wiggletooth,” Juried Competition, The Texas Show, Dallas Video Festival
 
2002: AIA Award Recipient, for 5501 Columbia Art Center Campus
 
2001: Award Recipient, The Studio Museum of Harlem, NYC, in Recognition of the Texas African American Photography Archive, Award for Achievement in Art Collecting, Studio Museum of Harlem, New York
 
2000: ‘Bridging the Gap’ Award
 
2000: Recipient of the Connemara Conservancy Foundation Sculpture Grant, Plano, Texas
 
1999: Moss/Chumley Honorary Circle Award, Meadows Museum of Art, Southern Methodist University, Dallas
 
1986: Art in the Metroplex, Honorable Mention, Juror: Donald Kuspit
 
1985: Recipient of Graduate Assistantship, Southern Methodist University, Dallas
 
1985: Recipient of the Artistic Achievement Scholarship Award, Meadows Museum of Art, Southern Methodist University, Dallas
 
1984: ‘Visions ‘84’, Merit Award
 
1983: “Scrap Can Be Beautiful,” Commercial Metals Corporation Competition, 2nd Place Award
 
1980: Recipient of Pollock Undergraduate Art Scholarship, Southern Methodist University, Dallas
 
1978: Public Sculpture Competition, Aspen, Colorado, Purchase Award
 
Solo Exhibitions
 
April 1-May 6, 2023: "Crazier than Crazy Quilts"
Erin Cluley Gallery, Dallas, Texas
Cluley Projects, Dallas Texas
Catalog: Kaleta Doolin: Crazier than Crazy Quilts
Published on the occasion of the exhibitions at Erin Cluley Gallery and Cluley Projects
with an essay by Mary Vernon

2020: “Stories,” with artist Elizabeth Anyaa
The Cedar Valley College Educational Art Gallery
Cedar Valley College, Lancaster, Texas
 
2008: “Thoughts: Dreams,” Center for Contemporary Arts, Abilene, Texas
“New Work,” Center for Contemporary Arts, Abilene, Texas
 
2007: “Defining Light,”
Carlsten Gallery, University of Wisconsin, Stevens Point, Wisconsin
Continental Lofts Gallery, Dallas, Texas
 
2005: “Thoughts: Dreams,” Seven installations, video and mixed media
McKinney Avenue Contemporary (The MAC), Dallas, Texas
 
2000: “Steel Water,” Exhibition, Ida Green Gallery, Austin College, Sherman, Texas
 
1999: “Spirit of Invention,” Frito – Lay Commission, Touring Installation
 
1998: “La Junta de los Rios: Journey’s End,” an installation by Kaleta Doolin and John Hernandez
Sculpture Center, New York, New York
 
1996: “La Junta de los Rios: A Fantastic Journey,” an installation by Kaleta Doolin and John Hernandez
5501 Columbia Avenue Art Center, Dallas, Texas
Tyler Museum of Art, Tyler, Texas
Catalog: La Junta de los Rios: A Fantastic Journey
Foreword by Aristeo Brito, essay by Alan Govenar

1995: “Pen Pals,” Vizivarosi Gallery, Budapest, Hungary
Catalog: Kaleta Doolin: Pen Pals
with an essay by Bill Verhelst
 
1992: “Transformations,” Installation at Visual Arts Gallery, University of Texas at Dallas, Richardson, Texas
 
1990: The Doolin Park Project, Didactic Gallery, Frito-Lay National Headquarters, Plano, Texas
 
1989: Inaugural Exhibition, Brookhaven College Sculpture Garden, Dallas, Texas
Director: Joy Poe
 
1988: Hockaday Gallery, Dallas, Texas
Contract Design Center, Dallas, Texas, Curator: Christopher Gow
Southern Methodist University, Hughes-Trigg Gallery, Dallas, Texas
 
1987: MFA Exhibition, Meadows Museum, Southern Methodist University, Dallas, Texas
Guaranty Savings and Loan, Dallas, Texas
 
1985: Eastfield College Gallery, Dallas, Texas,
Director: Jean Disher
 
Catalogues

Crazier Than Crazy Quilts, Erin Cluley Gallery, 2023 

La Junta de Los Rios: A Fantastic Journey, 5501 Columbia Art Center, Dallas 

Sculpture Center, New York City, 1996  Pen Pals, Vizivárosi Gallery, Budapest, Hungary, 1995

Group Exhibitions

February 17-March 23, 2024: “Interwoven: Kaleta Doolin, Catherine MacMahon, Sarita Westrup,” Erin Cluley Gallery, Dallas

December 17, 2023-July 21, 2024: “He Said/She Said: Contemporary Women Artists Interject,” Dallas Museum of Art, Dallas, Texas

June 2-September 24, 2023: “It's Pablo-matic: Picasso According to Hannah Gadsby,” The Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York

March 2-August 5, 2023: “A Survey of Artists from Erin Cluley Gallery,” Wichita Falls Museum of Art at Midwestern State University, Wichita Falls, Texas

July 9- August 13, 2022: “Summer 2022,” Erin Cluley Gallery, Dallas, Texas
 
2021: Collection show, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York
 
2018: Group show, Center for Book Arts, New York, New York
 
2006: 3rd Annual “Hecho en Dallas/Made in Dallas,” Latino Cultural Center, Dallas, Texas 
“From/About,” Central European Cultural Institute, Budapest, Hungary
 
2002: “Picture ID,” curator Marilyn Waligore,  University of Texas at Dallas, Richardson, Texas
 
2001: “Alternative Currents,” McKinney Avenue Contemporary, Dallas, Texas
“Texas Dialogues: Scenic Outlooks,” Blue Star Art Space, San Antonio, Texas
 
2000: “Garden,” Connemara, Plano, Texas
“Confluence: Artist’s Books at Five Myles,” Brooklyn, New York
“SMU Alumni Exhibition,” Meadows Museum, Southern Methodist University, Dallas, Texas
“Black and Blue,” McKinney Avenue Contemporary, Dallas, Texas
“The Tornado Show” Vanderbilt University, Nashville, Tennessee
 
1999: “New Work,” 500X Gallery, Dallas, Texas
“Women of Steel,” Sculpture, 5501 Columbia Art Center, Dallas, Texas
“Wired for Living,” DVD Installation, McKinney Avenue Contemporary, Dallas, Texas
“North Texas Collaborations,” Book Art Installation, Community Arts Collective, Houston, Texas
 
1998: “Expo ’98,” 500X Gallery, Dallas, Texas
“The Assemblage,” Dallas Public Library, Dallas, Texas
“Madness at the MAC,” McKinney Avenue Contemporary, Dallas, Texas
“Dia de los Muertos,” Eastfield College, Mesquite, Texas
“Cruces de la Vida,” Plano Art Center, Plano, Texas
 
1997: “Book as Art,” City Arts Center, Oklahoma Center, Oklahoma
Brannigan Cultural Center, Las Cruces, New Mexico
Collaborative installation with John Hernandez, Leticia Huerta, Viola Delgado, and Albert Shaw, North Lake College Gallery, Irving, Texas
“Cruces de la Vida,” Plano Art Center, Plano Texas, and Ice House, Oak Cliff, Dallas, Texas 
 
1996: “International Artists’ Books Exhibition,” Vigado Gallery, Budapest, Hungary
“Paper Words,” National Books Arts Invitational, Florida Craftsman Gallery, St. Petersburg, Florida
 
1995: “The Book Reconfigured,” The Center for Women and Their Work, Austin, Texas
“Critic’s Choice,” Dallas Visual Arts Center, Dallas, Texas
“Cruces de la Vida,” The Bath House Cultural Center, Dallas, Texas
 
1993-95: “Eye Tattooed America,” National Touring Exhibition
1993: Ann Nathan Gallery, Chicago, Illinois
January 22 - February 27, 1994: University of Iowa Museum of Art, Iowa City, Iowa
June 6 - August 15, 1994: Milwaukee Institute of Art and Design, Milwaukee, Wisconsin
Oct. 29 – Nov. 30, 1994: Truman Gallery, Indiana State University, Terre Haute, Indiana
May 21 – July 9, 1995: Virginia Beach Center for the Arts, Virginia Beach, Virginia
July – August 1995: Laguna Art Museum, Laguna Beach, California
 
1994: “Women’s Rights as Human Rights,” Zawadi Gallery, Dallas, Texas
Sponsored by UNIFEM, Dallas/Fort Worth, Texas, Judges: Marilyn Waligore, Justine Yeager, and Susan Harrington
“Images 1994,” Hickory Street Annex Gallery, Dallas, Texas, Curator: Mary Vernon
 
1993: “Images 1993,” Hickory Street Annex Gallery, Dallas, Texas
 
1992: “Metal and Mettle,” Austin College, Sherman, Texas, Curator: Paul Harris
“Ten in Texas,” Group Show, Collin County Community College, Plano, Texas, Curator: Lee Akins
 
1991: “Time is Relative,” Beverly Gordon Gallery, Dallas, Texas
“A Visual Discourse,” Peregrine Gallery, Dallas, Texas
 
1990: “Tornado Show,” Sarratt Gallery, Vanderbilt University, Nashville, Tennessee (Catalog)
“Silent Stories,” Group show, Peregrine Gallery, Dallas, Texas
“Alexander the Infant,” Dallas Video Festival, Dallas, Texas
 
1989: “Kinetic Sculpture,” Southern Methodist University, Dallas, Texas
 
1988: “The Dragon Show,” Dallas Public Library, Dallas, Texas
“Sculpture at the Bar,” Dallas Bar Association, Fort Worth Art Museum, Curator: Marla Price
“Excellence ’88,” Lenexa, Kansas
“Sculpture Farm, “Comanche Monument,” Wolfe City, Texas
“Connemara Conservancy Sculpture Exhibition,” Plano, Texas
“Zoomorphism: Animals in Art,” Trammell Crow Center, Dallas, Texas, Curator: Paul Harris
“A Separate Peace,” Southern Methodist University, Dallas, Texas
 
1987: “Ten in Texas,” Eastfield College, Mesquite, Texas
“Art in the Metroplex,” Juried by Donald Kuspit, Dallas, Texas
“6th Annual Texas Sculpture Symposium Invitational Exhibition,” San Antonio, Texas
“For Love or Money,” Juried by Dave Hickey, Cameron University, Lawton, Oklahoma
 
1986: “150 Works by Texas Women Artists,” City Hall, Dallas, Texas, 
Juror: Ann Sutherland Harris (Catalog)
 
1985: “Diversity ’85,” Texas Sculpture Association, D’Art, Dallas, Texas
“OK-USA,” Juried by James Surls, Cameron University, Lawton, Oklahoma
“5th Annual Texas Sculpture Symposium Invitational Exhibition,” Dallas, Texas
Women’s Art Exhibit, City Hall, Dallas, Texas
“Art in the Metroplex,” Texas Christian University, Fort Worth, Texas, Juror: Henry Hopkins
 
1984: “The Critic’s Choice 1984,” Dallas, Texas, Jurors: Harry Parker, Murray Smither, Bill Marvel, and Janet Kutner
“Visions ’84,” Texas Sculpture Association Membership Show, Dallas, Texas
Symphony Showcase Invitational Exhibition, Dallas, Texas
“The Great Buffalo Art Show,” Cameron University, Lawton, Oklahoma
“The Cow Show,” Clifford Gallery, Dallas, Texas
 
1983: BFA Qualifying Exhibition, Southern Methodist University, Dallas, Texas
 
1982: Commercial Metals Corporation Competition, Dallas, Texas
 
1976: Purchase Award Exhibition, Aspen, Colorado
 
1974: Purchase Award Exhibition, Canon City, Colorado
 
Public Collections
 
Bibliothèque Kandinsky, Centre Georges Pompidou, Paris, France
Museum Meermano, The Hague, The Netherlands
Victoria and Albert Museum, London, England
Museé de l’Erotisme, Paris, France
Museum of Fine Arts, Boston, Massachusetts 
San Antonio Museum of Art, San Antonio, Texas
New York Public Library, New York, New York
Museum of Modern Art, New York, New York
Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum, New York
San Francisco Museum of Modern Art, San Francisco, California
California Museum of Arts and Crafts, Oakland, California
City of Aspen, Colorado
Clark Art Institute, Williamstown, Massachusetts
 
Building Projects
 
1993: Construction of the Artist-In-Residence and Workshop at 5500 Rieger Avenue, Dallas
1993: Construction of Art in the Neighborhood Education Building, Dallas
1992: Construction of the Texas African American Photography Archive, Augusta Avenue, Dallas
1991: Transformation of a 1918 Firehouse into the 5501 Columbia Art Center, Dallas
 
Published Reviews/Press

“He Said/She Said,” Patron Magazine, February/March 2024
Darryl Radcliffe, “He Said ….” 58-60
Danielle Avram, “She Said …” 61-63

Greenberger, Alex (Fall 2023). “New York Diary,” Art in America.

Allen, Brian T. (2023, June 15). Picasso at the Brooklyn Museum: The Good, the Bad, and the Ugly. National Review. https://www.nationalreview.com/2023/06/picasso-at-the-brooklyn-museum-the-good-the-bad-and-the-ugly/

Greenberger, Alex (2023, June 1). ARTnews.
https://www.artnews.com/art-news/reviews/hannah-gadsby-its-pablo-matic-brooklyn-museum-review-1234670115/

Hill-Agnus, Eve (2023, April-May). A (Wild) Woman’s World: Long Overdue, Kaleta Doolin’s survey exhibition unites more than three decades of Feminist art. Patron Magazine, 66-67. issuu.com/patronmagazine/docs/540935_patron_april_may_hirez?fr=sZTViMDQyOTU2MzQ

(2023, April). Doolin X Deux. PaperCity Magazine, 36. papercitymagazine.uberflip.com/i/1495454-papercity-dallas-april-2023/0?

Weeks, Jerome (2023, March 30). Ribbons and rebar, drill bits and lace: Dallas' Kaleta Doolin makes feminist art from such fusions. KERA News. www.keranews.org/arts-culture/2023-03-30/ribbons-and-rebar-drill-bits-and-lace-dallas-kaleta-doolin-makes-feminist-art-from-such-fusions

Brettell, Rick (2020, July 26). A not-so-secret change agent. Dallas Morning News, 4E.
 
Brettell, Rick (2020, July 23). Meet Dallas’ Kaleta Doolin, a quiet titan for the recognition of women artists. Dallas Morning News.
 
Nasher Sculpture Center. (2018, September 18). Nasher Sculpture Center announces recent gifts to the collection: ‘The Guerrilla Girls.’ [Press release]. Retrieved from https://www.nashersculpturecenter.org/press/press-releases/news/id/152
 
Arnold, Leigh (2018, Summer). The Guerrilla Girls: Gift of Portfolio of 110 Posters and Projects. The Nasher Magazine, 27-29.
 
Arnold, Leigh (2017, Fall). Kaleta A. Doolin Acquisitions Fund for Women Artists: An interview. The Nasher Magazine, 37-38.
 
England, Julie (2017, January 12). Featured Women: Kaleta A. Doolin, artist and philanthropist. Prime Woman. https://primewomen.com/career-and-business/featured-women/featured-women-kaleta-doolin/
 
(2014, September 5). Meadows announces three more acquisitions. Dallas Business Journal.
 
(2002, March 21). Learning to identify: “Picture ID” exhibit at UTD. Richardson Morning News, 10R.
 
Sime, Tom (2002, March 20). Swing time at UTD: “Picture I.D.” exhibition. Dallas Morning News, 5C.
 
McCabe, Bret (2001, April 5-11). Mixed signals: The group of artists assembled for Alternative Currents displays the highs and lows of video art. Dallas Observer, 63.
 
Goddard, Dan R. (2001, January 6). Artists reinvent landscape art: Landscape paintings break tradition in (Review of Texas Dialogues: Scenic Overlook). San Antonio Express, 1E, 4E.
 
Dillon, David (2000, August 19). Bridge building a tiny studio unites an East Dallas neighborhood. Dallas Morning News.
 
(2000, March 12). A space for art: Connemara at 20. Dallas Morning News.
 
(2000, March 10). Naturals: Sculpture show makes the most of outdoor setting. Dallas Morning News.
 
Sime, Tom (1999, September 3). Theater is looking for a home: Moss/Chumley Honorary Circle. Dallas Morning News.
 
Verhelst, Bill (1998). Introduction to the ‘Pen Pals’ installation catalog, Vizivarosi Gallery, Budapest, Hungary.
 
Lang, George (1997, February 6). ‘Book as Art’ exhibition opens Thursday at City Arts Center. Oklahoma Gazette, 19(6), 41.
 
Weitz, Matt (1996, June 13-19). Lost art: Dallas’ most compelling art museum is hidden away in an old East Dallas firehouse. Dallas Observer, 1, 7-14.
 
Kutner, Janet (1996, June 13). Where rivers and artists meet: Collaborations make exhibition more than the sum of its parts. Dallas Morning News.
 
Isola, Marina (1996, April 17-24). Run for the border: 5501 Columbia interprets a surreal desert landscape. The Met.
 
Kutner, Janet (1996, March 22). A river view of Texas – Mexico relationships. Dallas Morning News: Guide, 44.
 
Sweets, Ellen (1996, February). A world of black and white. Dallas Morning News.
 
(1995, August 23). People on the move in the arts. Dallas Morning News.
 
(1995, April 14). Art in the Neighborhood. Dallas Morning News: Guide, 36-37.
 
Bass, Shermakaye (1994, September 4). Jenny Holzer will visit: Art in the Neighborhood. Dallas Morning News, 4C.
 
(1994, June). Neighborhood children showcase their work. East Dallas/Lakewood Advocate, 12B.
 
(1994, May 13). Events: Art in the Neighborhood. Dallas Morning News: Guide.
 
Kruh, Nancy (1993, April 29). Women at work: Girls around the country spend day on job to learn what they can achieve.Dallas Morning News, 1B, 12A.
 
Bass, Shermakaye (1993, May 13). Making room for young artists in an East Dallas neighborhood. Dallas Morning News, 1C-2C.
 
Kutner, Janet (1991, April 24). Contemporary Culture conference Saturday. Dallas Morning News, 1C.
 
Simmons, Stacy (1989, May 3). Chautauqua celebration highlights BHC’s 10 years. The Courier, Brookhaven College, 11(16), 1.
 
(1988, July). Plaza hosts Third Annual sculpture exhibit. Americas Monthly.
 
Howard, Ed (1988, Summer). Violent tornadoes and the whirlwind: Kaleta Doolin, An interview. Arts Dallas Magazine, 5NR.
 
Eck, J. Terrence (1988, June 13). Alum’s artwork explores violent weather. The Daily Campus SMU.
 
Kennedy, John M. (1988, June 2). The gallery at SMU open exhibit: ‘Stormy Weather’ [Press release]. SMU News Release, 30.
 
Little, Martha (1988, April 2). Exhibit benefit Meadows. Dallas Morning News, 27A.
 
Kutner, Janet (1988, March 26). Art springs eternal at Connemara: Budding sculptors find a place in the sunshine. Dallas Morning News, 1C, 4C.
 
Adamietz, Becky (1987, February). The importance of women in art. Texas Women’s News.
 
Kutner, Janet (1985, June 17). Art in the metroplex top quality. Dallas Morning News.
 
Poe, Joy (1985, June). Women of the 5th Texas Sculpture Symposium. The Woman’s News, 1(9), 13.
            
Fox, Kevin (1985, April 18-24). Fascination with the idea of fame elevated to religious worship. Dallas Downtown News.
 
Everingham, Carol J. (1985, March) Dallas symposium a sculpture event. Houston Chronicle.
 
Kutner, Janet (1985, March 10). Street-smart art: How to tour Dallas’ big indoor/outdoor sculpture show. Dallas Morning News, 1C, 7C.
 
Marvel, Bill (1985, March 25). Sculpture culture, city becomes a gallery of artists’ works: Public sculpture spread across Dallas. Dallas Times Herald, 1E, 6E.
 
(1985, March 10). Sculpture show fills downtown with street-smart art. Dallas Morning News.
 
(1984, September). A winning combination. Dallas – Fort Worth Home & Garden Magazine.
 
Marvel, Bill (1984, July 22). Corporate art collections continue to gain in popularity. Dallas Times Herald.
 
(1977, June 24). Pieces picked for mail. The Aspen Journal.
Photographs by Kevin Todora
© 2023 Kaleta Doolin
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